PART 2
2023
MArch
Our landscapes, cities and buildings are all hosting ghosts that need to be acknowledged. Practicing to challenge or destabilize standard thinking within the built environment, with the architecture school as a setting for the decolonisation of the thinking of architecture is imperative. The concept of the architectural canon and establishing the classification that makes the architectural canon itself are the problem.
Embedded in Leeds School of Architecture’s ethos is the way we continuously question what it means to practice, as well as our determination to test and expand – via our distinct framework of experimental and ethical pedagogy – architecture’s possibilities and responsibilities within societies, across cultural systems and towards the shared environmental and ecological domains. Beyond the conventional understanding of architectures based on building, interior and landscape studies, our courses explore the concept of ‘architecture as multiplicity’, unfolding intersections with other disciplines and with its mediated, digitised, coded, augmented and hybridised existences along with the radical potential of new forms of thinking and making.
STUDIO ONE: CityZEN Agency
STUDIO ONE: CityZEN Agency
The CITYzen Agency studio situates its explorations in overlooked places. We consider global imperatives and local issues together, exploring their interconnection and consequence of each on the other. By understanding resources within the community and considering techniques of engagement we become receptive to their effects on design process.
This year, working alongside Interior Architecture students our explorations began with an appraisal of collaboration, investigating how a group design and build project could lead to enhanced integration. This led final year students to consider the role of Leeds Beckett as an Anchor Institution within Leeds, and how higher education providers could better serve the communities they neighbour. In semester 2, second year students worked with Leeds Sustainable Development Group to propose ideas for a new ‘House of Architecture’ on The Calls, with a remit of encouraging discussions and consultation on placemaking and urban development within the West Yorkshire region.
The CITYzen Agent constructs a design methodology that generates an urban assemblage which explores and communicates ideas of architectural intervention and invention, proposing socially, economically and environmentally resilient solutions for a brave new world.
Our praxis is derived from Bruno Latour’s term, ‘critical attention is shifted from architecture as a matter of fact to architecture as a matter of concern’.
Staff
Simon Warren
Students
MArch Year 1
(Full time)
George Goddard
Paige Jones
Yi Jia Ng
Ayesha Naaz Shaik
Kabilesh Suseendiran
Tian Ting Tan
Charlotte Whittles
Degree Apprentice
Thomas Morgan
Emmanuel Akintayo
MArch Year 2
(Full time)
Olivia Bailey
Jacob Bevan-Howarth
Vaishali Nidhi Muthyala
Nisarg Rajeshbhai Patel
Olivia Riley
Andrew Stanway
Jahnavi Trivedi
MARFU
Grace Ajibola
Qanita Qamarani
MAUDE
Vrutika Ashok Gohil
MArch Year 2
(Part time)
Myles Petcher
Eoin Rogers
Lew Rogers
MArch Year 4
(Part time)
Alexander Horne
STUDIO TWO: displace / non-place
STUDIO TWO: displace / non-place
Cape Coral, Florida - Boomtown That Shouldn’t Exist
Swamp Peddlers Selling the Dream of a Waterfront Wonderland
This year the studio investigated an obscure city in southwest Florida that was founded by two brothers in 1957 as a planned community. Originally marketed as a “Waterfront Wonderland” to future northern retirees, Cape Coral was created by dredging and filling an existing mangrove swamp into over 400 miles of man-made canals. Such a massive transformation of the land and waterscapes not only eliminated a natural hurricane barrier, but also caused ecological devastation and a lack of biodiversity.
Making matters worse, the city of 120 square miles (310 km2) was laid out with the intention to maximize residential lots. Little consideration for commercial areas or pedestrian walkways left the largely elderly populace dependent on vehicles in order to move around the sprawling city.
Cape Coral, thus could be defined in multiple ways as a non-place based on the theoretical propositions of Marc Augé. Our investigations, therefore, questioned if it were possible to shift the perceptions of a city dominated by sprawl and the automobile into a place or a series of places through non-conventional modes of enquiry.
Conventional design approaches which produced obvious solutions were not considered valid vehicles of questioning. The fundamental challenge of the intellectual explorations of the studio, therefore, was to seek more obscure ways in which designing for the present and (a hypothetical) future simultaneously. With Hurricane Ian hitting landfall just a few miles away in September 2022, the students were confronted from the start to think about climate change in very immediate terms. With hurricanes increasing in strength and frequency, students were asked to speculate how their proposals would survive the treats of torrential rain, high force winds and storm surge into the distant future.
To meet such a challenge whilst avoiding preconceived tendencies of place making, the students were obliged to demonstrate a willingness to step outside his/her comfort zone – to be displaced. Theoretical, historical, political, and socio-economical readings from a broad spectrum of intellectual positions were orchestrated in order to implement a strategy of displacement as the means of enquiry.
Staff
George Epolito
Students
MArch Year 1
(Full time)
Ben Crayton
Lakshmi Supriya Gudimetla Hanumantha
Kate Kilmister
Nathan Lammiman
Darshan Narasimha Murthy
Sobaan Rehman
Hazel Rutherford
Callum Suttle
Haydn Thompson
Haagar Yousif
Joe Johnson
MArch Year 1
(Part time)
Tara Johnston
Maryam Najeeb
MArch Year 2
(Full time)
Asmaa Ahmed
Ellena Lodge
Sam Tipping
Johan Visser
Charlotte Whitfield
STUDIO THREE: Future Others
STUDIO THREE: Future Others
This year’s studio Future Others envisaged innovative spatial tactics and arrangements that sup-port cultural production in the near future as a catalyst for social and political betterment in the Greek city of Elefsina
(Eleusina).
Elefsina
Elefsina is a port town, with industrial heritage and history of migrations, sailors, voyagers, sex workers and marginal groups. Elefsina is known for ancient religious rituals held for the cult of Demeter and Persephone.
Currerntly, Elefsina is one of the European Cities of Culture 2023.
The Future of Cultural Institution - Designing for Minorities
We designed from the bottom-up, imagined a culture produced by people from the margins whose personal and collective histories remain largely unheard and untold in Europe today - elders, women, migrants, non-binary and others.
Intangible Commons – New Architectures
We identified intangible cultural practices and cultural commons - processions, carnivals, mysteries, rituals, community gatherings, and social events.
We looked for solutions that will go beyond a building in the narrow sense of the word, as we explored spatial arrangements varying from ephemeral to monumental, including visual, performative or aural expressions of architecture.
Constructing Future Cultural Ecologies
Such redefined cultural institutions are encouraged to form broader ecologies, micro economies, to be regenerative, adaptive, and responsive to social issues. They seek to achieve a balance with the environment, thus setting premises for a future which is progressive and circular.
Staff
Dejan Mrda, Marko Jobst
Students
MArch Year 1
(Full time)
Najia Alamin
Abdullahi Abubakar Dahiru
Mohammed Daji
Norhan Hassan
Khadeeja Imthiaz
Juliane Adelin Lutter
Katie McMillian
Erasmus
Fabrizio Costantini
Alessia Eustacchi
MArch Year 1
(Part time)
Joe Clark
Connor McGregor
Pascale Mestdagh
Sam Pick
MArch Year 1
(Part time)
Gabriela Ene
Ebrahim Laher
Michael Newman
MArch Year 4
(Part time)
George Oliver
Degree Apprentice
Ben Rodwell
Sam Martin
Joe Davies
MAUDE
Korab Begolli